Australian Womens Weekly Tea Sets

These tea sets were inspired by images from my collection of 1950's Australian Womens Weeklys. They are on display at Murray Bridge Regional Gallery as an artist of the month feature, more of the series will be available in Urban Cow, Adelaide in October

3 Seasons in One Day

August in South Australia becomes a frenzy of activity for artists, gallery managers, and business owners as this festival state puts on its annual showcase of visual art in the form of South Australian Living Artists Festival (SALA). Every spare meter of space is filled with creativity, from galleries to cafes, cellar doors, and city streets. This year, me and my 'partners in art' Angela Walford and Rose Maguire decided to put on a little show in the hills in one of the boutique wineries that Adelaide is famous for. '3 Season in One Day' We've had fun using a variety of decorating techniques, some are old favourites but many are new methods that we've had a hankering to try, lots of the work will be on the walls but we've also made beakers, bowls, teapots and jewellery so there's plenty of work on plinths as well. Here's a peak at some of my pieces,

Pretty, Pretty, Pre - Tea!

This month I challenged myself to making tea pots, I have only tried once or twice before without much success but when I received an invitation to take part in a tea pot show I decided it was about time I took the pot by the spout as it were and made a serious effort to make some that I liked. I wanted to make them in a sort of art deco, Susie Cooper style with some retro designs, which sort of worked but after discussing them with my friend Rose and realising that the spouts looked quite 'beaky' she suggested that bird designs might be appropriate. I have been looking at the work of Charlie Harper for some time and just love his illustrations, I think they're very clever, especially the way he shows 2 different perspectives in one drawing ( if you look up Charlie Harper in Google make sure you add 'illustrations' otherwise you'll just get lots of pictures of Charlie Sheen...and I really didn't need to see any more of those).

Although I looked at his style for influence and used a similar technique of simplifying and breaking down bird shapes to create patterns I hope they will not be seen in any way as appropriation. I think I'll keep going with them though, and I'm being more disciplined about focusing on fewer designs so I'll probably develop a couple of these and try them in different colour ways and on other forms.

They're going in the Greenhill Galleries Teapot show in April.

Fine Lines

As promised here are some photos of the finished Keraflex jewellery pieces. As I expected its been a steep learning curve with a fair amount of problem solving on the way, mostly because the pieces are so thin I felt they needed some kind of backing to add strength. In the end I used some clear flexible acrylic which doesn't add any weight and is comfortable next to the skin.

The origami pieces are just a bit of fun at the moment, it would be good to make them into jewellery too but I don't think they're quite strong enough to wear, and I have to work out how to place holes for findings without them filling with glaze.

The Jewellery will be on display at Urban Cow Gallery in their Mini Showcase Cabinet from 1st March 2011 for a month

Porcelain Origami

I have been making some work for a small exhibition at Urban Cow Gallery, each month they feature a different artist in their jewelery cabinet and I'm in there during March. This particular show is a bit different for me, mainly because I'm not a jeweler. However I often make ceramic brooches and even pendants sometimes but this opportunity has allowed me to do several of the creative things that I enjoy most...i.e trying a new material, challenging my skills and thinking outside my comfort zone. The material in question is a form of porcelain called Keraflex, it comes in 1.0 and 0.5 mm A4 sheets, yes its superfine and as the name suggests, flexible. I ordered their trial pack and when it arrived by mail my husband couldn't understand why I was excited about my new clay when all I had in my hand was a large envelope, even when I showed him the sheets he gave me a very sceptical look, and suggested that I may have fallen for some kind of scam targeting gullible potters and all I had bought was 4 very expensive sheets of blank paper. Undeterred I set to work on seeing what I could do with this 'paper'. I was quite timid at first and simply cut shapes and layered them but as got used to it and became more confident I found that I could cut fine detail, bend, roll and even fold it, in the end was happily making origami shapes from it.

Here are some images of the unfired work, I did try a few pieces in my last Cone 6 (1220 C) firing and sure enough they fire up into superfine porcelain, however the manufacturers recommend that it be fired to Cone 10 (1300 C) for optimum strength and vitrification, so I've just loaded them into the kiln and am hoping that she doesn't object too much to going to that temperature. I plan to put a clear glaze on some of the pieces to bring out the colours so will refire them to C6.

and of course I'll post some new images when they're done!